Wednesday, February 6, 2008

Kurt Cobain


Nirvana - The Man Who Sold the World!

We passed upon the stair
We spoke of was and when
Although I wasn't there
He said I was his friend
Which came as a surprise
I spoke into his eyes
I thought you died alone
A long long time ago.
Oh no, not me
We never lost control
You're face to face
With The Man Who Sold The World
I laughed and shook his hand
And made my way back home
I searched for form and land
For years and years I roamed
I gazed a gazeless stare
At all the millions here
I must have died alone
A long, long time ago
Who knows?
Not me
We never lost control
You're face to face
With the Man who Sold the World

Jean Paul Sartre


Sartre(the Atheist) seem to have said near his death:

{I do not feel that I am the product of chance, a speck of dust in the universe, but someone who was expected, prepared, prefigured. In short, a being whom only a Creator could put here; and this idea of a creating hand refers to God.}

Before this realization,the man and his mental tug of war:

Hell is other people."from No Exit

I agree, I disagree.

Imagination is not an empirical or superadded power of consciousness, it is the whole of consciousness as it realizes its freedom.


What then did you expect when you unbound the gag that muted those black mouths? That they would chant your praises? Did you think that when those heads that our fathers had forcibly bowed down to the ground were raised again, you would find adoration in their eyes?


Fascism is not defined by the number of its victims, but by the way it kills them.


Our responsibility is much greater than we might have supposed, because it involves all mankind. To choose this or that is to affirm at the same time the value of what we choose, because we can never choose evil. We always choose the good, and nothing can be good for us without being good for all.


What I see is teeming cohesion, contained dispersal…. For him, to sculpt is to take the fat off space.


The more one is absorbed in fighting evil, the less one is tempted to place the good in question.


NAUSEA

When you live alone you no longer know what it is to tell a story: the plausible disappears at the same time as the friends. You let events flow by too: you suddenly see people appear who speak and then go away; you plunge into stories of which you can't make head or tail: you'd make a terrible witness.


People who live in society have learned how to see themselves in mirrors as they appear to their friends. I have no friends. Is that why my flesh is so naked?


I think they do it to pass the time, nothing more. But time is too large, it can't be filled up. Everything you plunge into it is stretched and disintegrates.


As for the square at Meknes, where I used to go every day, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words that are indivisibly bound together: a charming square at Meknes. … I don't see anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction. And we feel that the hero has lived all the details of this night like annunciations, promises, or even that he lived only those that were promises, blind and deaf to all that did not herald adventure. We forget that the future was not yet there; the man was walking in the night without forethought, a night which offered him a choice of dull rich prizes, and he did not make his choice.


I exist. It is soft, so soft, so slow. And light: it seems as though it suspends in the air. It moves.


I wanted for the moments in my life to follow each other and order themselves like those of a life remembered. It would be just as well to try to catch time by the tail. As if there could be true stories: things happen in one way, and we retell them in the opposite way.



I construct my memories with my present. I am lost, abandoned in the present. I try in vain to rejoin the past: I cannot escape. The real nature of the present revealed itself: it was what exists, all that was not present did not exist. The past is the luxury of proprietors. Who can exhaust a man? Who knows a man’s resources?


On my way to the office in the morning, there are, in front of me, behind me, other men going to their jobs. I see them; if I dared, I would smile at them. I think to myself that I am a socialist, that they are the purpose of my life, of my efforts and that they do not know it yet.



For an occurrence to become an adventure, it is necessary and sufficient for one to recount it.



For the moment, the jazz is playing; there is no melody, just notes, a myriad tiny tremors. The notes know no rest, an inflexible order gives birth to them then destroys them, without ever leaving them the chance to recuperate and exist for themselves.... I would like to hold them back, but I know that, if I succeeded in stopping one, there would only remain in may hand a corrupt and languishing sound. I must accept their death; I must even want that death: I know of few more bitter or intense impressions.


All that I know about my life, it seems, I have learned in books.



Absurd, irreducible; nothing—not even a profound and secret delirium of nature—could explain [a tree root]. How can I, who was not able to retain my own past, hope to save that of another?
I exist, that is all, and I find it nauseating.




BEING AND NOTHINGNESS

Generosity is nothing else than a craze to possess. All which I abandon, all which I give, I enjoy in a higher manner through the fact that I give it away.... To give is to enjoy possessively the object which one gives.


I am responsible for everything ... except for my very responsibility, for I am not the foundation of my being. Therefore everything takes place as if I were compelled to be responsible. I am abandoned in the world ... in the sense that I find myself suddenly alone and without help, engaged in a world for which I bear the whole responsibility without being able, whatever I do, to tear myself away from this responsibility for an instant.


Nothingness haunts being.



Man is condemned to be free; because once thrown into the world, he is responsible for everything he does. Life has no meaning a priori … It is up to you to give it a meaning, and value is nothing but the meaning that you choose. It is certain that we cannot escape anguish, for we are anguish.


The For-itself, in fact, is nothing but the pure nihilation of the In-itself; it is like a hole of being at the heart of Being.


Man is always separated from what he is by all the breadth of the being which he is not. He makes himself known to himself from the other side of the world and he looks from the horizon toward himself to recover his inner being. All human actions are equivalent ... and ... all are on principle doomed to failure.




THE FLIES

But [your crime] will be there, one hundred times denied, always there, dragging itself behind you. Then you will finally know that you have committed your life with one throw of the die, once and for all, and there is nothing you can do but tug our crime along until your death. Such is the law, just and unjust, of repentance. Then we will see what will become of your young pride.


Be quiet! Anyone can spit in my face, and call me a criminal and a prostitute. But no one has the right to judge my remorse. Some men are born committed to action: they do not have a choice, they have been thrown on a path, at the end of that path, an act awaits them, their act.


Her face seems ravaged by both lightning and hail. But on yours there is something like the promise of a storm: one day passion will burn it to the bone. I felt less alone when I didn’t know you yet: I was waiting for the other. I thought only of his strength and never of my weakness. And now here you are, Orestes, it was you. I look at you and I see that we are two orphans.


Understand me: I wish to be a man from somewhere, a man among men. You see, a slave, when he passes by, weary and surly, carrying a heavy load, limping along and looking down at his feet, only at his feet to avoid falling down; he is in his town, like a leaf in greenery, like a tree in a forest, argos surrounds him, heavy and warm, full of herself; I want to be that slave, Electra, I want to pull the city around me and to roll myself up in it like a blanket. I will not leave.



Now I am weary and I can no longer tell good from Evil, and I need someone to show me the way.



We were too light, Electra. Now our feet press down in the earth like the wheels of a cart in its groove. Come with me, and we will walk heavily, bending under the weight of our heavy load.




NO EXIT

I will take it all: tongs, molten lead, prongs, garrotes, all that burns, all that tears, I want to truly suffer. Better one hundred bites, better the whip, vitriol, than this suffering in the head, this ghost of suffering which grazes and caresses and never hurts enough.



If we must absolutely mention this state of affairs, I suggest that we call ourselves “absent”, that is more proper.It is better; heavier, crueler. The mouth you wear for hell.


You have stolen my face from me: you know it and I no longer do.



One always dies too soon—or too late. And yet, life is there, finished: the line is drawn, and it must all be added up. You are nothing other than your life. I think of death only with tranquility, as an end. I refuse to let death hamper life. Death must enter life only to define it.




DIRTY HANDS

They made me take cod liver oil: that is the height of luxury: a medicine to make you hungry while the others, in the street, would have sold themselves for a beefsteak. I saw them passing my window with their signs: “Give me bread”.


I was your luxury. For nineteen years I have been put in your man’s world and was forbidden to touch anything and you made me think that all was going very well and that I did not have to worry about anything but putting flowers in vases. Why did you lie to me? Why did you keep me ignorant, if it was to admit to me one day that this world is cracking and that you are all powerless and to make me choose between a suicide and a murder?



Politics is a science. You can demonstrate that you are right and that others are wrong.


I was not the one to invent lies: they were created in a society divided by class and each of us inherited lies when we were born. It is not by refusing to lie that we will abolish lies: it is by eradicating class by any means necessary.


As far as men go, it is not what they are that interests me, but what they can become.



You take souls for vegetables.... The gardener can decide what will become of his carrots but no one can choose the good of others for them.



The best work is not what is most difficult for you; it is what you do best.




THE DEVIL AND THE GOOD LORD

If you are not already dead, forgive. Rancor is heavy, it is worldly; leave it on earth: die light.


If a victory is told in detail, one can no longer distinguish it from a defeat. It is not the same thing. You are perhaps not lying, but you are not telling the truth.



I do not understand! I understand nothing! I cannot understand nor do I want to understand! I want to believe! To Believe!


When the rich make war, it's the poor that die.



Ah! yes, I know: those who see me rarely trust my word: I must look too intelligent to keep it.You see,I divide men into three categories: those who have a lot of money, those who have none at all and those who have a little. The first want to keep what they have: their interest is to maintain order; the second want to take what they do not have: their interest is to destroy the existing order and to establish one which is profitable to them. They each are realist, people with whom one can agree. The third group want to overthrow the social order to take what they do not have, while still preserving it so that no one takes away what they have. Thus, they preserve in fact what they destroy in theory, or they destroy in fact what they seem to preserve. Those are the idealists.


Thus man defines himself in relationship to this ignorance.he defines what he is and what he seeks in terms of it.


If you want to deserve Hell, you need only stay in bed.


The world is iniquity; if you accept it, you are an accomplice, if you change it you are an executioner.



If you die, I will lie down beside you and I will stay there until the end, without eating or drinking, you will rot in my arms and I will love you as carcass: for you love nothing if you do not love everything.



Do you think that I count the days? There is only one day left, always starting over: it is given to us at dawn and taken away from us at dusk.


One is still what one is going to cease to be and already what one is going to become. One lives one’s death, one dies one’s life.

Tuesday, February 5, 2008

Thomas Hardy


Moments Of Vision

That mirror
Which makes of men a transparency,
Who holds that mirror
And bids us such a breast-bare spectacle see
Of you and me?
That mirror
Whose magic penetrates like a dart,
Who lifts that mirror
And throws our mind back on us,
and our heart,
until we start?
That mirror
Works well in these night hours of ache;
Why in that mirror
Are tincts we never see ourselves
once take
When the world is awake?
That mirror
Can test each mortal when unaware;
Yea, that strange mirror
May catch his last thoughts,
whole life foul or fair,
Glassing it -- where?

Rumi!


I thought I must give up on life
And turn into a stone;
The desert wind quite suited me:
No heart, no mind–just bone.
I thought it would be dumb to try
To want something again;
Wanting turns to need, and then
Transmogrifies to pain.
I laughed at people still in love
Who trusted someone’s word;
To make my happiness depend
On faith seemed quite absurd.
I lay alone and wonder-struck,
Sleepless in my bed,
Still numb, still dumb,
still ice, ice cold,
Not knowing I was dead.
And then you came and shone upon
My meadow full of snow,
And saw the flowers only love
Could recognize and grow;
And made me feel so beautiful
I shed my cold, cold skin,
And opened up my heart to you,
And, fearful, let you in.
And now, my dear, I am in love,
With all that I’ve been through.
I know the worst of all the world,
And I believe in you!

Pablo Neruda!




Don't Go Far Off, Not Even For A Day !
Don't go far off, not even for a day, because
-- because -- I don't know how to say it:
a day is long and I will be waiting for you,
as in an empty station when the trains
are parked off somewhere else, asleep.
Don't leave me, even for an hour,
because then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift into me,
choking my lost heart.
Oh, may your silhouette never dissolve on the beach;
may your eyelids never flutter into the empty distance.
Don't leave me for a second, my dearest,
because in that moment you'll have gone so far
I'll wander mazily over all the earth, asking,
Will you come back?
Will you leave me here, dying?


Thinking, tangling shadows in the deep solitude!
You are far away too, oh farther than anyone.
Thinking, freeing birds, dissolving images,burying lamps.
Belfry of fogs, how far away, up there!
Stifling laments, milling shadowy hopes,taciturn miller,
night falls on you face downward, far from the city.
Your presence is foreign, as strange to me as a thing.I think,
I explore great tracts of my life before you.
My life before anyone, my harsh life.
The shout facing the sea, among the rocks,
running free, mad, in the sea-spray.
The sad rage, the shout, the solitude of the sea.
Headlong, violent, stretched towards the sky.
You, woman, what were you there,
what ray, what vane of that immense fan?
You were as far as you are now.
Fire in the forest! Burn in blue crosses.
Burn, burn, flame up, sparkle in trees of light.
It collapses, crackling. Fire. Fire.
And my soul dances, seared with curls of fire.
Who calls?
What silence peopled with echoes?
Hour of nostalgia, hour of happiness, hour of solitude.
Hour that is mine from among them all!
Megaphone in which the wind passes singing.
Such a passion of weeping tied to my body.
Shaking of all the roots,attack of all the waves!
My soul wandered, happy, sad, unending.
Thinking, burying lamps in the deep solitude.
Who are you, who are you?



On my death!
I like for you to be still
It is as though you are absent
And you hear me from far away
And my voice does not touch you
It seems as though your eyes had flown away
And it seems that a kiss had sealed your mouth
As all things are filled with my soul
You emerge from the things
Filled with my soul
You are like my soul
A butterfly of dream
And you are like the word:
Melancholy
I like for you to be still
And you seem far away
It sounds as though you are lamenting
A butterfly cooing like a dove
And you hear me from far away
And my voice does not reach you
Let me come to be still in your silence
And let me talk to you with your silence
That is bright as a lamp
Simple, as a ring
You are like the night
With its stillness and constellations
Your silence is that of a star
As remote and candid
I like for you to be still
It is as though you are absent
Distant and full of sorrow
So you would've died
One word then,
One smile is enough
And I'm happy;
Happy that it's not true.



Tower Of Light!
O tower of light,
sad beauty
that magnified necklaces
and statues in the sea,
calcareous eye,
insignia of the vast waters,
cry of the mourning petrel,
tooth of the sea,
wife of the Oceanian wind,
O separate rose
from the long stem
of the trampled bush
that the depths,
converted into archipelago,
O natural star,
green diadem,
alone in your lonesome dynasty,
still unattainable,
elusive,
desolate
like one drop,
like one grape,
like the sea.



Love Sonnet XVII !
I do not love you as if you were a salt rose, or topaz
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
So I love you because I know no other way than this:
where I does not exist,
nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

Monday, February 4, 2008

T S Eliot!


Portrait of a Lady

Among the smoke and fog of a December afternoon
You have the scene arrange itself—as it will seem to do—
With "I have saved this afternoon for you";
And four wax candles in the darkened room,
Four rings of light upon the ceiling overhead,
An atmosphere of Juliet's tomb
Prepared for all the things to be said, or left unsaid.
We have been, let us say, to hear the latest Pole
Transmit the Preludes, through his hair and finger-tips.
"So intimate, this Chopin, that I think his soul
Should be resurrected only among friends
Some two or three, who will not touch the bloom
That is rubbed and questioned in the concert room."
—And so the conversation slips
Among velleities and carefully caught regrets
Through attenuated tones of violins
Mingled with remote cornets
And begins.

"You do not know how much they mean to me, my friends,
And how, how rare and strange it is, to find
In a life composed so much, so much of odds and ends,
(For indeed I do not love it ... you knew? you are not blind!How keen you are!)
To find a friend who has these qualities,Who has, and gives
Those qualities upon which friendship lives.
How much it means that I say this to you
—Without these friendships—life, what cauchemar!"
Among the windings of the violins
And the ariettes
Of cracked cornets
Inside my brain a dull tom-tom begins
Absurdly hammering a prelude of its own,
Capricious monotone
That is at least one definite "false note."
—Let us take the air, in a tobacco trance,
Admire the monuments
Discuss the late events,
Correct our watches by the public clocks.
Then sit for half an hour and drink our bocks.


II
Now that lilacs are in bloom
She has a bowl of lilacs in her room
And twists one in her fingers while she talks.
"Ah, my friend, you do not know, you do not know
What life is, you should hold it in your hands"
;(Slowly twisting the lilac stalks)"
You let it flow from you, you let it flow,
And youth is cruel, and has no remorse
And smiles at situations which it cannot see.
"I smile, of course,And go on drinking tea."
Yet with these April sunsets, that somehow recall
My buried life, and Paris in the Spring,
I feel immeasurably at peace, and find the world
To be wonderful and youthful, after all."

The voice returns like the insistent out-of-tune
Of a broken violin on an August afternoon:
"I am always sure that you understand
My feelings, always sure that you feel,
Sure that across the gulf you reach your hand.
You are invulnerable, you have no Achilles' heel.
You will go on, and when you have prevailed
You can say: at this point many a one has failed.
But what have I, but what have I, my friend,
To give you, what can you receive from me?
Only the friendship and the sympathy
Of one about to reach her journey's end.
I shall sit here, serving tea to friends...."

I take my hat: how can I make a cowardly amends
For what she has said to me?
You will see me any morning in the park
Reading the comics and the sporting page.
Particularly I remark
An English countess goes upon the stage.
A Greek was murdered at a Polish dance,
Another bank defaulter has confessed.
I keep my countenance, I remain self-possessed
Except when a street piano, mechanical and tired
Reiterates some worn-out common song
With the smell of hyacinths across the garden
Recalling things that other people have desired.
Are these ideas right or wrong?


III
The October night comes down; returning as before
Except for a slight sensation of being ill at ease
I mount the stairs and turn the handle of the door
And feel as if I had mounted on my hands and knees.
"And so you are going abroad; and when do you return?
But that's a useless question.
You hardly know when you are coming back,
You will find so much to learn.
"My smile falls heavily among the bric-à-brac.
"Perhaps you can write to me."
My self-possession flares up for a second;
This is as I had reckoned.
"I have been wondering frequently of late
(But our beginnings never know our ends!)
Why we have not developed into friends.
"I feel like one who smiles, and turning shall remark
Suddenly, his expression in a glass.
My self-possession gutters; we are really in the dark.
"For everybody said so, all our friends,
They all were sure our feelings would relate
So closely! I myself can hardly understand.
We must leave it now to fate.
You will write, at any rate.
Perhaps it is not too late.
I shall sit here, serving tea to friends."

And I must borrow every changing shape
To find expression ... dance, dance
Like a dancing bear,
Cry like a parrot, chatter like an ape.
Let us take the air, in a tobacco trance—
Well! and what if she should die some afternoon,
Afternoon grey and smoky, evening yellow and rose;
Should die and leave me sitting pen in hand
With the smoke coming down above the housetops;
Doubtful, for quite a while
Not knowing what to feel or if I understand
Or whether wise or foolish, tardy or too soon ...
Would she not have the advantage, after all?
This music is successful with a "dying fall"
Now that we talk of dying—
And should I have the right to smile?

Franz Kafka




Previously I did not understand why I got no answer to my question; today I do not understand how I could believe I was capable of asking. But I didn’t really believe, I only asked.

I write differently from the way I speak, I speak differently from the way I think, I think differently from the way I should think - and so it goes on into the darkest depths of infinity (Letter to Ottla, July 10, 1914)

I waver, continually fly to the summit of the mountain, but cannot stay up there for more than a moment. Others waver too, but in lower regions, with greater strength; if they are in danger of falling, they are caught up by the kinsman who walks beside them for that purpose. But I waver on the heights; it is not death, alas, but the eternal torments of dying. (Diaries)

He has the feeling that merely by being alive he is blocking his own way. From this sense of hindrance, in turn, he deduces the proof that he is alive. (Aphorisms)

Only after death, only in solitude, does a man’s true nature emerge. In death, as on the chimney sweep’s Saturday night, the soot gets washed from his body. (Diaries)

Life's splendor forever lies in wait about each one of us in all its fullness, but veiled from view, deep down, invisible, far off. It is there, though, not hostile, not reluctant, not deaf. If you summon it by the right word, by its right name, it will come. (Diaries)

The bone of his own forehead obstructs his way; he knocks himself bloody against his own forehead. (Diaries)
Believing means liberating the indestructible element in oneself, or, more accurately, being indestructible, or, more accurately, being. (Diaries)

He has found Archimedes' fulcrum, but he has turned it to account against himself, clearly he was permitted to find it only on this condition. (Aphorisms)

Small cities also have small surroundings for those taking walks.

I think we ought to read only the kind of books that wound and stab us. If the book we are reading doesn't wake us up with a blow on the head, what are we reading it for? ...we need the books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea inside us.

A cage went in search of a bird.

There is a goal, but no way; what we call a way is hesitation.

The mediation by the serpent was necessary: Evil can seduce man, but cannot become man.

We too must suffer all the suffering around us. We all have not one body, but we have one way of growing, and this leads us through all anguish, whether in this or in that form. Just as the child develops through all the stages of life right into old age and to death (and fundamentally to the earlier stage the later one seems out of reach, in relation both to desire and to fear), so also do we develop (no less deeply bound up with mankind than with ourselves) through all the sufferings of this world. There is no room for justice in this context, but neither is there any room either for fear of suffering or for the interpretation of suffering as a merit.

You do not need to leave your room. Remain sitting at your table and listen. Do not even listen, simply wait. Do not even wait, be quiet still and solitary. The world will freely offer itself to you to be unmasked, it has no choice, it will roll in ecstasy at your feet.

The thornbush is old obstacle in the road. It must catch fire if you want to go further.

The Policeman said to me, "You want to know the way? Give up! Just give up!" And he turned away like a man that wants to be alone with his laughter.

Anyone who cannot come to terms with his life while he is alive needs one hand to ward off a little his despair over his fate... but with his other hand he can note down what he sees among the ruins. Anything that has real and lasting value is always a gift from within. I am nothing but a mass of spikes going through me. In theory there is a possibility of perfect happiness: To believe in the indestructible element within one, and not to strive towards it.

May I kiss you then? On this miserable paper? I might as well open the window and kiss the night air.

My life is hesitation before birth.

Paths are made by walking.

We are as forlorn as children lost in the wood. When you stand in front of me an look at me, what do you know of the grief's that are in me and what do I know of yours. And if I were to cast myself down before you and tell you, what more would you know about me that you know about Hell when someone tells you it is hot and dreadful? For that reason alone we human beings ought to stand before one another as reverently, as reflectively, as lovingly, as we would before the entrance to Hell.

Who has the gift to recognize beauty, will not live long.

Writing is a form of prayer.

There are two main human sins from which all the others derive: impatience and indolence. It was because of impatience that they were expelled from Paradise; it is because of indolence that they do not return.

One of the first signs of the beginnings of understanding is the wish to die. This life appears unbearable, another unattainable. One is no longer ashamed of wanting to die; one asks to be moved from the old cell, which one hates, to a new one, which one will only in time come to hate.

Hiding places there are innumerable, escape is only one, but possibilities for escape, again, are as many as hiding places.

The animal wrests the whip from its master and whips itself in order to become master, not knowing that this is only a fantasy produced by a new knot in the master’s whiplash. The way is infinitely long, nothing of it can be subtracted, nothing can be added, and yet everyone applies his own childish yardstick to it. “Certainly, this yard of the way you still have to go, too, and it will be accounted unto you.”

There is nothing besides a spiritual world; what we call the world of the senses is the Evil in the spiritual world, and what we call Evil is only the necessity of a moment in our eternal evolution.

One can disintegrate the world by means of very strong light. For weak eyes the world becomes solid, for still weaker eyes it seems to develop fists, for eyes weaker still it becomes shamefaced and smashes anyone who dares to gaze upon it.

There are questions we could not get past if we were not set free from them by our very nature. The indestructible is one: it is each individual human being and, at the same time, it is common to all, hence the incomparably indivisible union that exists between human beings.

Test yourself on mankind. It is something that makes the doubter doubt, the believer believe.

Sensual love deceives one as to the nature of heavenly love; it could not do so alone, but since it unconsciously has the element of heavenly love within it, it can do so.

A belief is like a guillotine, just as heavy, just as light.

Two possibilities: making oneself infinitely small or being so. The second is perfection, that is to say, inactivity, the first is beginning, that is to say, action.

Towards the avoidance of a piece of verbal confusion: What is intended to be actively destroyed must first of all have been firmly grasped; what crumbles away crumbles away, but cannot be destroyed.

Humility provides everyone, even him who despairs in solitude, with the strongest relationship to his fellow man, and this immediately, though, of course, only in the case of complete and permanent humility. It can do this because it is the true language of prayer, at once adoration and the firmest of unions. The relationship to one’s fellow man is the relationship of prayer, the relationship to oneself is the relationship of striving; it is from prayer that one draws the strength for one’s striving.

The right understanding of any matter and a misunderstanding of the same matter do not wholly exclude each other.

I can prove at any time that my education tried to make another person out of me than the one I became. It is for the harm, therefore, that my educators could have done me in accordance with their intentions that I reproach them; I demand from their hands the person I now am, and since they cannot give him to me, I make of my reproach and laughter a drumbeat sounding in the world beyond.

The history of mankind is the instant between two strides taken by a traveler.

Anyone who believes cannot experience miracles. By day one does not see any stars. Anyone who does miracles says: I cannot let go of the earth.

Books are a narcotic.

Don't despair, not even over the fact that you don't despair.

"Everything you say is boring and incomprehensible," she said, "but that alone doesn't make it true."

Evil is whatever distracts.

I have the true feeling of myself only when I am unbearably unhappy.

I was so insecure about everything that all I was really sure of was what I already held in my hands or my mouth or what was well on its way there.

In argument similes are like songs in love; they describe much, but prove nothing.

It is the thousandth forgetting of a dream dreamt a thousand times and forgotten a thousand times, and who can damn us merely for forgetting for the thousandth time?

It is often better to be in chains than to be free.

Start with what is right rather than what is acceptable. The dream reveals the reality which conception lags behind. That is the horror of life — the terror of art.

The experience of life consists of the experience which the spirit has of itself in matter and as matter, in mind and as mind, in emotion, as emotion, etc.

This inescapable duty to observe oneself: if someone else is observing me, naturally I have to observe myself too; if none observe me, I have to observe myself all the closer.

What does the court want with you? It receives you when you come and it dismisses you when you go.

You can hold yourself back from the sufferings of the world, that is something you are free to do and it accords with your nature, but perhaps this very holding back is the one suffering you could avoid.

"A Little Fable": Kafka
"Alas," said the mouse, "the world is growing smaller every day. At the beginning it was so big that I was afraid, I kept running and running, and I was glad when at last I saw walls far away to the right and left, but these long walls have narrowed so quickly that I am in the last chamber already, and there in the corner stands the trap that I must run into," "You only need to change your direction," said the cat, and ate it up.