Tuesday, July 29, 2008

Rumi


Sometimes I forget completely
what companionship is.
Unconscious and insane,
I spill sad energy everywhere.
My story gets told in various ways:
a romance,a dirty joke, a war, a vacancy.
Divide up my forgetfulness to any number,
it will go around
These dark suggestions that I follow,
are they part of some plan?
Friends, be careful.
Don't come near me
out of curiosity, or sympathy.

Monday, July 28, 2008

Federico Garcia Lorca


Narcissus.
Your fragrance.
And the depth of the stream.
I would remain at your verge.
Flower of love.
Narcissus.
Over your white eyes flicker
shadows and sleeping fish.
Birds and butterflies
lacquer mine.
You so minute and I so tall.
Flower of love.
Narcissus.
How active the frogs are!
They will not leave alone
the glass which mirrors
your delirium and mine.
Narcissus.
My sorrow.
And my sorrow's self.

Rainer Maria Rilke


Out of infinite longings rise
finite deeds like weak fountains,
falling back just in time and trembling.
And yet, what otherwise remains silent,
our happy energies—show themselves
in these dancing tears.

Robert Graves


He is quick, thinking in clear images;
I am slow, thinking in broken images.
He becomes dull, trusting to his clear images;
I become sharp, mistrusting my broken images.
Trusting his images, he assumes their relevance;
Mistrusting my images, I question their relevance.
Assuming their relevance, he assumes the fact;
Questioning their relevance, I question their fact.
When the fact fails him, he questions his senses;
when the fact fails me, I approve my senses.
He continues quick and dull in his clear images;
I continue slow and sharp in my broken images.
He in a new confusion of his understanding;
I in a new understanding of my confusion.

Sunday, July 27, 2008

Zbigniew Herbert


Sometimes Mr Cogito recalls, not without emotion, his youthful attempts at perfection, those juvenile per aspera ad astra. One day a small pebble happened to fall inside his shoe as he was hurrying to classes. It maliciously worked its way between raw flesh and his sock. Common sense suggested that he get rid of the intruder, but the principle of amor fati demanded on the contrary that he endure it. He chose the second, heroic solution.
In the beginning it didn’t seem dangerous, a nuisance and nothing more. But after a while the heel appeared in his field of consciousness—it was at the moment when the young Cogito was trying to grasp with great effort what the professor was saying about Plato’s concept of ideas. The heel grew, swelled, pulsated, from pale pink it became scarlet red like a setting sun, and pushed out of his head not only Plato’s idea but all other ideas as well.
In the evening before going to bed he emptied the foreign body from his sock. It was a small, cold, yellow grain of sand. The heel on the contrary was large, burning, and dark with pain.

Zbigniew Herbert: “Mr Cogito and the Pearl”

Saturday, July 26, 2008

Ezra Pound


I can not bow to woo thee
With honey words and flower kisses
And the dew of sweet half-truths
Fallen on the grass of old quaint love-tales
Of broidered days foredone.
Nor in the murmurous twilight
May I sit below thee,
Worshiping in whispers
Tremulous as far-heard bells.
All these things have I known once
And passed
In that gay youth I had but yester-year.
And that is gone
As the shadow of wind.
Nay, I can not woo thee thus;
But as I am ever swept upward
To the centre of all truth
So must I bear thee with me
Rapt into this great involving flame,
Calling ever from the midst thereof,
"Follow! Follow!"
And in the glory of our meeting
Shall the power be reborn.
And together in the midst of this power
Must we, each outstriving each,
Cry eternally:
"I come, go thou yet further."
And again, "Follow,"
For we may not tarry.

Friday, July 25, 2008

Paul Verlaine



Come, my poor heart, come, old friend true and tried,
Repaint your triumph's arches, raised anew;
Smoke tinsel altars with stale incense; strew
Flowers before the chasm, gaping wide;
Come, my poor heart, come, old friend true and tried.
Cantor revivified, sing God your hymn;
Hoarse organ-pipes, intone Te Deums proud;
Make up your aging face, youth wrinkle-browed;
Bedeck yourself in gold, wall yellow-dim;
Cantor revivified, sing God your hymn.
Ring, bells; peal, chimes; peal, ring, bells large and small!
My hopeless dream takes shape: for Happiness-
-Here, now--lies clutched, embraced in my caress;
Winged Voyager, who shuns Man's every call;-
-Ring, bells; peal, chimes; peal, ring, bells large and small!
Happiness once walked side by side with me;
But DOOM knows no reprieve, there's no mistaking:
The worm is in the fruit; in dreaming, waking;
In loving, mourning. And so must it be.-
-Happiness once walked side by side with me.

Tuesday, July 22, 2008

Paul Celan




more fully,
since snow fell
even on this
sun-drifted,
sun-drenched sea,
blossoms the ice
in those baskets
you carry into town.

sand..
you demand in return,
for the last
rose back at home
this evening also wants to be fed
out of the trickling hour.

Monday, July 21, 2008

Rainer Maria Rilke


We, however are not prisoners. No traps or snares are set about us, and there is nothing which should intimidate or worry us. We are set down in life as in the element to which we best correspond, and over and above this we have through thousands of years of accomodation become so like this life, that when we hold still we are, through a happy mimicry, scarcely to be distinguished from all that surrounds us. We have no reason to mistrust our world, for it is not against us. Has it terrors, they are our terrors; has it abysses, those abysses belong to us; are dangers at hand, we must try to love them. And if we could only arrange our life according to that principle which counsels us that we must always hold to the difficult, then that which now seems to us the most alien will become what we most trust and find most faithful. How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons in our lives are princesses who are only waiting to see us once beautiful and brave. Perhaps everything terrible is in its deepest being something helpless that wants help from us.

e. e. cummings


seeker of truth
follow no path
all paths lead
where truth is here

Ernest Hemingway


FOR we have thought the longer thoughts
And gone the shorter way.
And we have danced to devil's tunes
Shivering home to pray;
To serve one master in the night,
Another in the day.

Sunday, July 20, 2008

Denise Levertov



Long after you have swung back
away from me
I think you are still with me:

you come in close to the shore
on the tide
and nudge me awake the way

a boat adrift nudges the pier:
am I a pier
half-in half-out of the water?

and in the pleasure of that communion
I lose track,
the moon I watch goes down, the

tide swings you away before
I know I'm
alone again long since,

mud sucking at gray and black
timbers of me,
a light growth of green dreams drying.

St. Teresa of Avila


I had a natural passion for fine clothes, excellent food, and
lively conversation about all matters that concern
the heart still alive.
And even a passion
about my own looks.

Vanities: they do not exist.

Have you ever walked across a stream stepping on rocks
so not to spoil a pair of shoes?

All we can touch, swallow, or say
aids in our crossing to God
and helps unveil the soul.

Life smooths us, rounds, perfects,
as does the river the stone,
and there is no place our Beloved is not flowing
through the current’s force you may not always like.

Our passions help to lift us.

I loved what I could love until I held Him,
for then –
all things –
every world
disappeared.

Hafiz Of Shiraz


I know the voice of depression
Still calls to you.
I know those habits that can ruin your life
Still send their invitations.
But you are with the Friend now
And look so much stronger.
You can stay that way
And even bloom!
Keep squeezing drops of the Sun
From your prayers and work and music
And from your companions' beautiful laughter.
Keep squeezing drops of the Sun
From the sacred hands and glance of your Beloved
And, my dear,From the most insignificant movements
Of your own holy body.
Learn to recognize the counterfeit coins
That may buy you just a moment of pleasure,
But then drag you for days
Like a broken man
Behind a farting camel.
You are with the Friend now.
Learn what actions of yours delight Him,
What actions of yours bring freedom
And Love.
Whenever you say God's name, dear pilgrim,
My ears wish my head was missing
So they could finally kiss each other
And applaud all your nourishing wisdom!
O keep squeezing drops of the Sun
From your prayers and work and music
And from your companions' beautiful laughter
And from the most insignificant movements
Of your own holy body.
Now, sweet one,
Be wise.
Cast all your votes for Dancing!
("I Heard God Laughing - Renderings of Hafiz" by Daniel Ladinsky)

Saturday, July 19, 2008

Charles Baudelaire



The Moon, who is caprice itself, looked in at the window as you slept in your cradle, and said to herself: "I am well pleased with this child." And she softly descended her stairway of clouds and passed through the window-pane without noise. She bent over you with the supple tenderness of a mother and laid her colours upon your face. Therefrom your eyes have remained green and your cheeks extraordinarily pale. From contemplation of your visitor your eyes are so strangely wide; and she so tenderly wounded you upon the breast that you have ever kept a certain readiness to tears.
In the amplitude of her joy, the Moon filled all your chamber as with a phosphorescent air, a luminous poison ; and all this living radiance thought and said: "You shall be for ever under the influence of my kiss. You shall love all that loves me and that I love: clouds, and silence, and night; the vast green sea; the unformed and multitudinous waters; the place where you are not; the lover you will never know; monstrous flowers, and perfumes that bring madness; cats that stretch themselves swooning upon the piano and lament with the sweet, hoarse voices of women.
"And you shall be loved of my lovers, courted of my courtesans. You shall be the Queen of men with green eyes, whose breasts also I have wounded in my nocturnal caress: men that love the sea, the immense green ungovernable sea; the unformed and multitudinous waters; the place where they are not; the woman they will never know; sinister flowers that seem to bear the incense of some unknown religion; perfumes that trouble the will; and all savage and voluptuous animals, images of their own folly." And that is why I am couched at your feet, o spoiled child, beloved and accursed, seeking in all your being the reflection of that august divinity, that prophetic godmother, that poisonous nurse of all lunatics.

Friday, July 18, 2008

Denise Levertov


Turn from that road's beguiling ease;
return to your hunger's turret.
Enter, climb the stairchill with disuse,
where the croaking toad of time
regards from shimmering eyes your slow ascent
and the drip, drip, of darkness glimmers on the stone
to show you how your longing waits alone.
What alchemy shines from under that shut door,
spinning out gold from the hollow of the heart?
Enter the turret of your love, and lie
close in the arms of the sea; let in new suns
that beat and echo in the mind like sounds
risen from sunken cities lost to fear;
let in the light that answers your desire
awakening at midnight with the fire,
until its magic burns the wavering sea
and flames carress the windows of your tower.

Thursday, July 17, 2008

Antonio Machado



The wind, one brilliant day, called to my soul with an odor of jasmine.
"In return for the odor of my jasmine, I'd like all the odor of your roses."
"I have no roses; all the flowers in my garden are dead."
"Well then, I'll take the withered petals and the yellow leaves and the waters of the fountain."
The wind left.
And I wept.
And I said
"What have you done with the garden that was entrusted to you ?"

Wednesday, July 16, 2008

Rainer Maria Rilke



Sometimes she walks through the village in her
little red dress
all absorbed in restraining herself,and yet,
despite herself, she seems to move
according to the rhythm of her life to come.
She runs a bit, hesitates, stops,
half-turns around...and,
all while dreaming, shakes her head
for or against.Then she dances a few steps
that she invents and forgets,
no doubt finding out that life
moves on too fast.
It's not so much that she steps out
of the small body enclosing her,
but that all she carries in herself
frolics and ferments.
It's this dress that she'll remember
later in a sweet surrender;
when her whole life is full of risks,t
he little red dress will always seem right.


Lord: it is time.
The summer was immense.
Lay your shadow on the sundials
and let loose the wind in the fields.
Bid the last fruits to be full;
give them another two more southerly days,
press them to ripeness, and chase
the last sweetness into the heavy wine.
Whoever has no house now will not build one anymore.
Whoever is alone now will remain so for a long time,
will stay up, read, write long letters,
and wander the avenues, up and down,
restlessly, while the leaves are blowing.

Tuesday, July 15, 2008

Ted Hughes


Prometheus in His Crag


Pondered the vulture.
Was this bird
His unborn half-self, some hyena
Afterbirth, some lump of his mother?
Or was it condemned human ballast -
His dying and his death, torn daily
From his immortality?
Or his blowtorch godhead
Puncturing those horrendous holes
In his human limits?
Was it his prophetic familiar?
The Knowledge, pebble-eyed,
Of the fates to be suffered in his image?
Was it the flapping, tattered hole -
The nothing door
Of his entry, draughting through him?
Or was it atomic law -
Was Life his transgression?
Was he the punished criminal aberration?
Was it the fire he had stolen?
Nowhere to go and now his pet,
And only him to feed on?
Or the supernatural spirit itself
That he had stolen from,
Now stealing from him the natural flesh?
Or was it the earth's enlightenment -
Was he an uninitiated infant
Mutilated towards alignment?
Or was it anti-self -
The him-shaped vacuum
In unbeing, pulling to empty him?
Or was it, after all, the Helper
Coming again to pick the crucial knot
Of all his bonds?
Image after image.
Image after image.
As the vulture
Circled.
Circled.

Charles Baudelaire



‘N’EST CE PAS QU'IL EST DOUX’


Is it not pleasant,
now we are tired,and tarnished,
like other men, to search for those fires
in the furthest East, where, again,
we might see
morning’s new dawn, and,
in mad history,
hear the echoes,
that vanish behind us, the sighs
of the young loves, God gives,
at the start of our lives?

Monday, July 14, 2008

Amy Lowell


I learnt to write to you in happier days,
And every letter was a piece I chipped
From off my heart, a fragment newly clipped
From the mosaic of life; its blues and grays,
Its throbbing reds, I gave to earn your praise.
To make a pavement for your feet I stripped
My soul for you to walk upon, and slipped
Beneath your steps to soften all your ways.
But now my letters are like blossoms pale
We strew upon a grave with hopeless tears.
I ask no recompense, I shall not fail
Although you do not heed; the long, sad years
Still pass, and still I scatter flowers frail,
And whisper words of love which no one hears.

E. E. Cummings


if learned darkness from our searched world
should wrest the rare unwisdom of thy eyes,
and if thy hands flowers of silence curled
upon a wish,to rapture should surprise
my soul slowly which on thy beauty dreams
(proud through the cold perfect night whisperless
to mark,how that asleep whitely she seems
whose lips the whole of life almost do guess)
if god should send the morning;and before
my doubting window leaves softly to stir,
of thoughtful trees whom night hath pondered o’er
—and frailties of dimension to occur
about us
and birds known, scarcely to sing
(heart,could we bear the marvel of this thing?)

Sunday, July 13, 2008

Harold Pinter


Don't look.
The world's about to break.
Don't look.
The world's about to chuck out all its light
And stuff us in the chokepit of its dark,
That black and fat and suffocated place
Where we will kill or die or dance or weep
Or scream or shine or squeak like mice
To renegotiate our starting price.

Saturday, July 12, 2008

Rumi


I look into the mirror,
And I see myself,
the unbeliever,
Not because I have sinned,
But that I deign to measure mercy.
And to have thought,
"Love for such as I?"
"This just cannot be."

Thursday, July 10, 2008

Hazrat Shah Hussain


One day they will turn into a dream to you,
the lanes of your father’s (village).
The bees will fly away from the flowers,
their leaves and stalks.
He alone knows (the pain) who is struck,
otherwise it is easy to talk.
Stop, O kazi, I am not well at hurt,
things have happened that should not have happened.
Only those nights will be of account,
which are passed in the Lord’s company.
I am named Husain, of the weaver caste,
and the owners of wefts are full of reproaches for me.

Jorge Luis Borges


The useless dawn finds me in a deserted streetcorner;
I have outlived the night.
Nights are proud waves: dark blue top
heavy waves laden with all hues of deep spoil,
laden with things unlikely and desirable.
Nights have a habit of mysterious gifts and refusals,
of things half given away, half withheld,
of joys with a dark hemisphere.
Nights act that way, I tell you.
The surge, that night, left me
the customary shreds and odd ends:
some hated friends to chat with,
music for dreams,
and the smoking of bitter ashes.
The things my hungry heart has no use for.
The big wave brought you.
Words, any words, your laughter;
and you so lazily and incessantly beautiful.
We talked and you have forgotten the words.
The shattering dawn finds me in a deserted street of my city.
Your profile turned away,
the sounds that go to make your name, the lilt of your laughter:
these are the illustrious toys you have left me.
I turn them over in the dawn, I lose them;
I tell them to the few stray dogs and to the few stray stars of the dawn.
Your dark rich life…
I must get at you, somehow:
I put away those illustrious toys you have left me,
I want your hidden look, your real smile –
that lonely, mocking smile your mirror knows.

Idries Shah-The Islanders


Once upon a time there lived an ideal community in a far-off land. Its members had no fears as we now know them. Instead of uncertainty and vacillation, they had purposefulness and a fuller means of expressing themselves. Although there were none of the stresses and tensions which mankind now considers essential to its progress, their lives were richer, because other, better elements replaced these things. Theirs, therefore, was a slightly different mode of existence. We could almost say that our present perceptions are a crude, makeshift version of the real ones that this community possessed.
They had real lives, not semilives.
We can call them the El Ar people.
They had a leader, who discovered that their country was to become uninhabitable for a period of, shall we say, 20,000 years. He planned their escape, realizing that their descendants would be able to return home successfully, only after many trials.
He found for them a place of refuge, an island whose features were only roughly similar to those of the original homeland. Because of the difference in climate and situation, the immigrants had to undergo a transformation. This made them more physically and mentally adapted to the new circumstances; coarse perceptions, for instance, were substituted for finer ones, as when the hand of the manual laborer becomes toughened in response to the needs of his calling.
In order to reduce the pain which a comparison between the old and new states would bring, they were made to forget the past almost entirely. Only the most shadowy recollection of it remained, yet it was sufficient to be awakened when the time came.
The system was very complicated, but well arranged. The organs by means of which the people survived on the island were also made the organs of enjoyment, physical and mental. The organs which were really constructive in the old homeland were placed in a special form of abeyance, and linked with the shadowy memory, in preparation for its eventual activation.
Slowly and painfully the immigrants settled down, adjusting themselves to the local conditions. The resources of the island were such that, coupled with effort and a certain form of guidance, people would be able to escape to a further island on the way back to their original home. This was the first of a succession of islands upon which gradual acclimatization took place.
The responsibility of this “evolution” was vested in those individuals who could sustain it. These were necessarily only a few, because for the mass of the people the effort of keeping both sets of knowledge in their consciousness was virtually impossible. One of them seemed to conflict with the other one. Certain specialists guarded the “special science.”
This “secret,” the method of effecting the transition, was nothing more or less than the knowledge of maritime skills and their application. The escape needed an instructor, raw materials, people, effort and understanding. Given these, people could learn to swim, and also to build ships.
The people who were originally in charge of the escape operations made it clear to everyone that a certain preparation was necessary before anyone could learn to swim or even take part in building a ship. For a time the process continued satisfactorily.
Then a man who had been found, for the time being, lacking in the necessary qualities rebelled against this order and managed to develop a masterly idea. He had observed that the effort to escape placed a heavy and often seemingly unwelcome burden upon the people. At the same time they were disposed to believe things which they were told about the escape operation. He realized that he could acquire power, and also revenge himself upon those who had undervalued him, as he thought, by a simple exploitation of these two sets of facts.
He would merely offer to take away the burden, by affirming that there was no burden.
He made this announcement:
“There is no need for man to integrate his mind and train it in the way which has been described to you. The human mind is already a stable and continuous, consistent thing. You have been told that you have to become a craftsman in order to build a ship. I say, not only do you not need to be a craftsman—you do not need a ship at all! An islander needs only to observe a few simple rules to survive and remain integrated into society. By the exercise of common sense, born into everyone, he can attain anything upon this island, our home, the common property and heritage of all.”

The tonguester, having gained a great deal of interest among the people, now “proved” his message by saying:

“If there is any reality in ships and swimming, show us ships which have made the journey, and swimmers who have come back!”

This was a challenge to the instructors which they could not meet. It was based upon an assumption of which the bemused herd could not now see the fallacy. You see, ships never returned from the other land. Swimmers, when they did come back, had undergone a fresh adaptation which made them invisible to the crowd.

The mob pressed for demonstrative proof.

Shipbuilding,” said the escapers, in an attempt to reason with the revolt, “is an art and a craft. The learning and the exercise of this lore depends upon special techniques. These together make up a total activity, which cannot be examined piecemeal, as you demand. This activity has an impalpable element, called baraka, from which the word ‘barque’—a ship—is derived. This word means ‘the Subtlety,’ and it cannot be shown to you.”


“Art, craft, total, baraka, nonsense!” shouted the revolutionaries.
And so they hanged as many shipbuilding craftsmen as they could find.
The new gospel was welcomed on all sides as one of liberation. Man had discovered that he was already mature! He felt, for the time at least, as if he had been released from responsibility.
Most other ways of thinking were soon swamped by the simplicity and comfort of the revolutionary concept. Soon it was considered to be a basic fact, which had never been challenged by any rational person. Rational, of course, meant anyone who harmonized with the general theory itself, upon which society was now based.
Ideas which opposed the new one were easily called irrational. Anything irrational was bad. Thereafter, even if he had doubts, the individual had to suppress them or divert them, because he must at all costs be thought rational.
It was not very difficult to be rational. One had only to adhere to the values of society. Further, evidence of the truth of rationality abounded — providing that one did not think beyond the life of the island.
Society had now temporarily equilibrated itself within the island, and seemed to provide a plausible completeness, if viewed by means of itself. It was based upon reason plus emotion, making both seem plausible. Cannibalism, for instance, was permitted on rational grounds. The human body was found to be edible. Edibility was a characteristic of food. Therefore the human body was food. In order to compensate for the shortcomings of this reasoning, a makeshift was arranged. Cannibalism was controlled, in the interests of society. Compromise was the trademark of temporary balance. Every now and again someone pointed out a new compromise, and the struggle between reason, ambition, and community produced some fresh social norm.
Since the skills of boatbuilding had no obvious application within this society, the effort could easily be considered absurd. Boats were not needed — there was nowhere to go. The consequences of certain assumptions can be made to “prove” those assumptions. This is what is called pseudocertainty, the substitute for real certainty. It is what we deal in every day, when we assume that we will live another day. But our islanders applied it to everything.
The words “displeasing” and “unpleasant” were used on the island to indicate anything which conflicted with the new gospel, which was itself known as “Please.” The idea behind this was that people would now please themselves, within the general need to please the State. The State was taken to mean all the people.
It is hardly surprising that from quite early times the very thought of leaving the island filled most people with terror. Similariy, very real fear is to be seen in long-term prisoners who are about to be released. “Outside” the place of captivity is a vague, unknown, threatening world.
The island was not a prison. But it was a cage with invisible bars, more effective than obvious ones ever could be.
The insular society became more and more complex, and we can look at only a few of its outstanding features. Its literature was a rich one. In addition to cultural compositions, there were numerous books which explained the values and achievements of the nation. There was also a system of allegorical fiction, which portrayed how terrible life might have been, had society not arranged itself in the present reassuring pattern.
From time to time instructors tried to help the whole community to escape. Captains sacrificed themselves for the reestablishment of a climate in which the now concealed shipbuilders could continue their work. All these efforts were interpreted by historians and sociologists with reference to conditions on the island, without thought for any contact outside this closed society. Plausible explanations of almost anything were comparatively easy to produce. No principle of ethics was involved, because scholars continued to study with genuine dedication what seemed to be true. “What more can we do?” they asked, implying by the word “more” that the alternative might be an effort of quantity. Or they asked each other, “What else can we do?” assuming that the answer might be “else” —something different. Their real problem was that they assumed themselves able to formulate the questions, and ignored the fact that the questions were every bit as important as the answers.
Of course the islanders had plenty of scope for thought and action within their own small domain. The variations of ideas and differences of opinion gave the impression of freedom of thought. Thought was encouraged, providing that it was not “absurd.”
Freedom of speech was allowed. It was of little use without the development of understanding, which was not pursued.
The work and the emphasis of the navigators had to take on different aspects in accordance with the changes in the community. This made their reality even more baffling to the students who tried to follow them from the island point of view.
Amid all the confusion, even the capacity to remember the possibility of escape could at times become an obstacle. The stirring consciousness of escape potential was not very discriminating. More often than not the eager would-be escapers settled for any kind of substitute. A vague concept of navigation cannot become useful without orientation. Even the most eager potential shipbuilders had been trained to believe that they already had that orientation. They were already mature. They hated anyone who pointed out that they might need a preparation.
Bizarre versions of swimming or shipbuilding often crowded out possibilities of real progress. Very much to blame were the advocates of pseudoswimming or allegorical ships, mere hucksters, who offered lessons to those as yet too weak to swim, or passages on ships which they could not build.
The needs of the society had originally made necessary certain forms of efficiency and thinking which developed into what was known as science. This admirable approach, so essential in the fields where it had an application, finally outran its real meaning. The approach called “scientific,” soon after the “Please” revolution, became stretched until it covered all manner of ideas. Eventually things which could not be brought within its bounds became known as “unscientific,” another convenient synonym for “bad.” Words were unknowingly taken prisoner and then automatically enslaved.
In the absence of a suitable attitude, like people who, thrown upon their own resources in a waiting room, feverishly read magazines, the islanders absorbed themselves in finding substitutes for the fulfillment which was the original (and indeed the final) purpose of this community’s exile.
Some were able to divert their attention more or less successfully into mainly emotional commitments. There were different ranges of emotion, but no adequate scale for measuring them. All emotion was considered to be “deep” or “profound” — at any rate more profound than nonemotion. Emotion, which was seen to move people to the most extreme physical and mental acts known, was automatically termed “deep.”
The majority of people set themselves targets, or allowed others to set them for them. They might pursue one cult after another, or money, or social prominence. Some worshipped some things and felt themselves superior to all the rest. Some, by repudiating what they thought worship was, thought that they had no idols, and could therefore safely sneer at all the rest.
As the centuries passed, the island was littered with the debris of these cults. Worse than ordinary debris, it was self-perpetuating. Well-meaning and other people combined the cults and recombined them, and they spread anew. For the amateur and intellectual, this constituted a mine of academic or “initiatory” material, giving a comforting sense of variety. Magnificent facilities for the indulging of limited “satisfactions” proliferated. Palaces and monuments, museums and universities, institutes of learning, theaters and sports stadiums almost filled the island. The people naturally prided themselves on these endowments, many of which they considered to be linked in a general way with ultimate truth, though exactly how this was so escaped almost all of them.
Shipbuilding was connected with some dimensions of this activity, but in a way unknown to almost everyone.
Clandestinely the ships raised their sails, the swimmers continued to teach swimming. . . .
The conditions on the island did not entirely fill these dedicated people with dismay. After all, they too had originated in the very same community, and had indissoluble bonds with it, and with its destiny.
But they very often had to preserve themselves from the attentions of their fellow citizens. Some “normal” islanders tried to save them from themselves. Others tried to kill them, for an equally sublime reason. Some even sought their help eagerly, but could not find them.
All these reactions to the existence of the swimmers were the result of the same cause, filtered through different kinds of minds. This cause was that hardly anyone now knew what a swimmer really was, what he was doing, or where he could be found.
As the life of the island became more and more civilized, a strange but logical industry grew up. It was devoted to ascribing doubts to the validity of the system under which society lived. It succeeded in absorbing doubts about social values by laughing at them or satirizing them. The activity could wear a sad or happy face, but it really became a repetitious ritual. A potentially valuable industry, it was often prevented from exercising its really creative function.
People felt that, having allowed their doubts to have temporary expression, they would in some way assuage them, exorcise them, almost propitiate them. Satire passed for meaningful allegory; allegory was accepted but not digested. Plays, books, films, poems, lampoons were the usual media for this development, though there was a strong section of it in more academic fields. For many islanders it seemed more emancipated, more modern or progressive, to follow this cult rather than older ones.
Here and there a candidate still represented himself to a swimming instructor, to make his bargain. Usually what amounted to a stereotyped conversation took place.
“I want to learn to swim.”
“Do you want to make a bargain about it?”
“No. I only have to take my ton of cabbage.”
“What cabbage?”
“The food which I will need on the other island.”
“There is better food there.”
“I don’t know what you mean. I cannot be sure. I must take my cabbage.”
“You cannot swim, for one thing, with a ton of cabbage.”
“Then I cannot go. You call it a load. I call it my essential nutrition.”
“Suppose, as an allegory, we say not ‘cabbage’ but ‘assumptions,’ or ‘destructive ideas’?”
“I am going to take my cabbage to some instructor who understands my needs.”
(From "The Sufis")

Wednesday, July 9, 2008

Margaret Atwood



Variations on the Word Love

This is a word we use to plug holes with.
It's the right size for those warm blanks in speech,
for those red heart-shaped vacancies on the page
that look nothing like real hearts.
Add lace and you can sell it.
We insert it also in the one empty space on the printed form
that comes with no instructions.
There are whole magazines with not much in them
but the word love,
you can rub it all over your body and you can cook with it too.
How do we know it isn't what goes on at the cool
debaucheries of slugs under damp pieces of cardboard?
As for the weed-seedlings nosing their tough snouts
up among the lettuces, they shout it.Love!
Love! sing the soldiers, raising their glittering knives in salute.
Then there's the two of us.
This word is far too short for us,
it has only four letters,
too sparse to fill those deep bare vacuums between the stars
that press on us with their deafness.
It's not love we don't wish to fall into, but that fear...
this word is not enough but it will have to do.
It's a single vowel in this metallic silence,
a mouth that says
O again and again in wonder and pain,
a breath, a fingergrip on a cliffside.
You can hold on or
let go.

Tuesday, July 8, 2008

Rainer Maria Rilke


from Letters to a Young Poet


May 14, 1904, Rome
To love is good, too: love being difficult. For one human being to love another: that is perhaps the most difficult of all our tasks, the ultimate, the last test and proof, the work for which all other work is but preparation. For this reason young people, who are beginners in everything, cannot yet know love: they have to learn it. With their whole being, with all their forces, gathered close about their lonely, timid, upward-beating heart, they must learn to love. But learning-time is always a long, secluded time, and so loving, for a long while ahead and far on into life, is--solitude, intensified and deepened loneness for him who loves. Love is at first not anything that means merging, giving over, and uniting with another (for what would a union be of something unclarified and unfinished, still subordinate--?), it is a high inducement to the individual to ripen, to become something in himself for another's sake, it is a great exacting claim upon him, something that chooses him out and calls him to vast things.

Monday, July 7, 2008

Emily Dickinson


Volcanoes be in Sicily
And South America
I judge from my Geography
Volcanoes nearer here
A Lava step at any time
Am I inclined to climb
A Crater I may contemplate
Vesuvius at Home

Langston Hughes



What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore -
And then run?
Does it stink like rotten meat?
Or crust and sugar over -
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?

Sunday, July 6, 2008

Jorge Luis Borges


Free of memory and of hope,
limitless, abstract, almost future,
the dead man is not a dead man:
he is death.
Like the God of the mystics,
of Whom anything that could be said must be denied,
the dead one, alien everywhere,
is but the ruin and absence of the world.
We rob him of everything,
we leave him not so much as a color or syllable:
here, the courtyard which his eyes no longer see,
there, the sidewalk where his hope lay in wait.
Even what we are thinking,he could be thinking;
we have divvied up like thieves
the booty of nights and days.

Saturday, July 5, 2008

Rabindranath Tagore


The time that my journey takes is long and the way of it long.
I came out on the chariot of the first gleam of light,
and pursued my voyage through the wildernesses of worlds
leaving my track on many a star and planet.
It is the most distant course that comes nearest to thyself,
and that training is the most intricate
which leads to the utter simplicity of a tune.
The traveller has to knock at every alien door to come to his own,
and one has to wander through all the outer worlds
to reach the innermost shrine at the end.
My eyes strayed far and wide before I shut them
and said `Here art thou!'
The question and the cry `Oh, where?'
melt into tears of a thousand streams and deluge the world
with the flood of the assurance
`I am!'



Gitanjali - Song Offerings

Yunus Emre


To be in love with love is to gain a soul,
to sit on the throne of hearts.
To love the world is to be afflicted.
Later the secrets start to make sense.
Don't be a bramble, become the rose.
Let your maturity unfold.
The brambles will only burn.
Prayer was created by God so man could ask for help.
It's too bad if you haven't learned to ask.
Accept the breath of those who are mature-
let it become your divining rod.
If you obey your self, things turn out wrong.
Renouncing the world is the beginning of worship.
If you are a believer, believe this.
Respect your parents and ancestry,
and you will have fine green clothes of your own.
If you earn the complaints of neighbors,
You'll stay in Hell forever.
Yunus heard these words from the masters.
If you need this advice, take it.
They say one who is received by a heart
becomes more beautiful.

Friday, July 4, 2008

Hart Crane



Exile

My hands have not touched pleasure since your hands,
--No, --
nor my lips freed laughter since 'farewell',
And with the day, distance again expands
Voiceless between us, as an uncoiled shell.
Yet, love endures, though starving and alone.
A dove's wings clung about my heart each night
With surging gentleness, and the blue stone
Set in the tryst-ring has but worn more bright.

Adrienne Rich


Our whole life
a translation
the permissible fibs
and now a knot of lies
eating at itself
to get undone
Words bitten thru words~
~meanings burnt-off like paint
under the blowtorch
All those dead letters
rendered into the oppressor's language
Trying to tell the doctor where it hurts
like the Algerian who waled form his village,
burning his whole body
a could of pain
and there are no words for this
except himself

Thursday, July 3, 2008

Wallace Stevens



The Planet On The Table

Ariel was glad he had written his poems.
They were of a remembered time
Or of something seen that he liked.
Other makings of the sun
Were waste and welter
And the ripe shrub writhed.
His self and the sun were one
And his poems, although makings of his self,
Were no less makings of the sun.
It was not important that they survive.
What mattered was that they should bear
Some lineament or character,
Some affluence, if only half-perceived,
In the poverty of their words,
Of the planet of which they were part.

Wednesday, July 2, 2008

David Whyte




Kukai


A hand moves,
and the fire’s whirling takes different shapes:
All things change when we do.
The first word,”Ah,”
blossoms into all others.
Each of them is true.

MAULANA'S LAST LETTER TO SHAMS-Rumi


Sometimes I wonder, sweetest love, if you
Were a mere dream in along winter night,
A dream of spring-days, and of golden light
Which sheds its rays upon a frozen heart;
A dream of wine that fills the drunken eye.
And so I wonder, sweetest love,
if I Should drink this ruby wine, or rather weep;
Each tear a bezel with your face engraved,
A rosary to memorize your name...
There are so many ways to call you back-
Yes, even if you only were a dream.

Tuesday, July 1, 2008

Czeslaw Milosz


We wanted to confess our sins but there were no takers.
White clouds refused to accept them, and the wind
was too busy visiting sea after sea.
We did not succeed in interesting the animals.
Dogs, disappointed, expected an order,
A cat, as always immoral, was falling asleep.
A person seemingly very close
Did not care to hear of things long past.
Conversations with friends over vodka or coffee
Ought not to be prolonged beyond the first sign of boredom.
It would be humiliating to pay by the hour
A man with a diploma, just for listening.
Churches. Perhaps churches. But to confess there what?
That we used to see ourselves as handsome and noble
Yet later in our place an ugly toad
Half-opens its thick eyelid
And one sees clearly: “That’s me.”

Philip Larkin


This is the first thingI have understood:
Time is the echo of an axe
Within a wood.